Cui, Liang. (2020). ‘Living with The Unassimilable.’
Sculpture/video installation. [Silk, silk thread, salt].
![](https://liangcuiart.com/wp-content/uploads/2022/06/Feature-Image-1-1-450x300.jpg)
Cui, Liang. (2020). ‘Living with The Unassimilable.’
Sculpture/video installation. [Silk, silk thread, salt].
Cui, Liang. (2018). ‘Installation.’
Installation. [Silk, wire, animal fat and animal blood from butchers].
Cui, Liang. (2018). ‘The Red and The White.’
Installation. [Canvas, acrylic paint, plastic sheet, silk, wire, fish line, silk thread, animal fat and animal blood from butchers].
Cui, Liang. (2018). ‘The Cave.’
Installation. [Silk, wire, animal fat, animal blood (animal products are all purchased from butchers)].
Cui, Liang. (2018). ‘The Edge of the Unbearable.’
Soft sculpture implanted on wall. [Wire].
Cui, Liang. (2018). ‘Soft Sculpture with Video Projection.’
Installation. [Silk, fish line, wire, animal blood from butchers].
Cui, Liang. (2018). ‘Soft Sculptures.’
Installation. [Silk, fish line, wire, animal blood from butchers].
Cui, Liang. (2018). ‘A Group of Bright Colour Organs.’
Installation. [Canvas, plastic sheets, acrylic paint, animal meat from butchers, fish line].
Cui, Liang. (2017). ‘A Piece of Red Something.’
Sculpture with video projection. [Canvas, fabric, wire, silk, ink, fish line]
Cui, Liang. (2017). ‘The Red Detachment of Women.’
Video made by projecting a footage from the film of its Peking opera version in 1972 on a piece of canvas with latex, threads, and pieces of dried acrylic paint on it.