《卖卫生纸的小贩》这件作品是由两张画拼放在一起之后拍照而成的。两张画都来自一张摄影作品。原照片非常吸引我的是它具有的一种戏剧性的张力。这来自两点:一个是那些长长的投影;另外是摄影采取的俯拍的角度。阴影在画面中占据了很大的面积,并且每个人都好像嵌在两个(或三个)阴影之间似的。俯拍的角度将人物压缩成非常不符合我们在平视的视角下(也就是日常的视角)所看到的人的形状,但是每个人物的阴影却比较符合这种日常视角看到的人的形状。这种阴影似乎和它们的主人地位错位了的感觉,产生了一种戏剧性的张力。
The work of “A Toilet-paper Vendor” is composed of two drawings being put together and then photographed. Both drawings are from a photo. What attracted me so much about the original image was the dramatic tension produced from two aspects: one is the long shadows; the other is the overhead angle of the photography. The shadows occupy quite a large area in the frame, and everyone seems to be embedded between two (or three) shadows. The angle of the overhead shot compresses the characters into a shape that is very inconsistent with our daily life experience, while the shadow of each character is more in line with the shape of the people we see.